How like a trickster is the April sun,
When for days it hides in purple gloom
Where a raw fog, complete with sleet, can stun
Even optimists towards discussing doom
And death, but then that same sun bounces up
On a day with no clouds. I’m made surly
And walk with a snarl to my coffee cup,
For that slap-happy sun’s suddenly early
In rising, beaming my bed so I squint.
And what’s that I hear? Summer birds singing
In the dawn? Robins are back. Shake the lint
From my brains. Prankster April is bringing
A day without clouds. A day of pure sun.
A day to make dour men remember the One.
As an old poet I’ve learned that the world of poetry is, at the very least, on a tangent point between the physical and the spiritual, and at times is farther off in an air-headed place that has so little to do with the physical that bill-collectors, and sometimes your friends and your parents and your spouse and your children may be irked by your failure to face “reality”.
What such well-meaning advisors fail to see is their “reality” is going to quit on them. We must face our worldly responsibilities, but a day will come when this world will fade. In fact it fades every day, when you go to bed exhausted. Even if you stay up to all hours doing your taxes, being very, very responsible in a worldly way, when you are utterly exhausted the world becomes utterly ungrateful, for it vanishes. But another “reality” is more faithful. Pragmatists disdain the other world as a mere “dream”.
I would like to encourage young poets by telling them poetry is not a mere “dream”. You young poets have bungled into a battle which is occurring on a sphere the worldly simply can’t admit exists. Yet it does exist, and you do do battle, even if it looks like you are just sitting and nibbling an eraser.
Want proof? Consider Beethoven. Music, to physical pragmatists, is a physical reality involving sound-waves and the physical ability to hear. But Beethoven became deaf. In terms of physical pragmatism he lost all physical reasons to produce sound-waves. Yet he not only persevered with his art, but produced music most musicians confess is astounding. This is not possible unless a non-physical reality exists.
You young poets may have been tricked into poetry because it seemed easier to daydream than face the sweat of a Real Job, but at this point I have to inform you of sad news: Worldly responsibility must be faced, even if you are a genius. As amazing as Beethoven was, he still had to come up with the rent.
Now, before you young poets charge off into a rant about how unfair it is that Beethoven, who gave so much, had to scrimp to pay for shelter, (and how, by extension, it is unfair that you too have to pay rent), be aware Beethoven had his physical side. He loved a young widow he couldn’t marry because he was a commoner, and she would lose her children if she married beneath her class. Therefore much of the passion and tragedy in Beethoven’s music may have been born of frustration.
As long as we have any entanglements with the physical world there will be consequences. The only way to avoid dirty dishes is to give up eating altogether. Therefore young poets should expect interruptions. Be cheerful when asked to take out the trash. But do not be tricked into thinking the physical world is the only world.